For whatever else Stoker is, it is a reimagining of one of the most fascinating and underappreciated works in the Master’s catalogue. Often described as a Korean Hitchcock, Chan-wook embraces these comparisons head on in a Hollywood production that looks for inspiration and guidance from the larger than life Englishman in a dark suit. Last week, Park Chan-wook’s first English language feature, Stoker, enjoyed its Blu-ray/DVD release. For every generation, there is almost something mythical and romantically innocent about times long gone by. The result is an exciting and highly realistic film, whose new set cost, mainly for studio replicas, was well under the imposed limit.Increasingly as a culture, Americans tend to look back on the past with the misty-eyed Instagram effect of nostalgia. 13,000), Hitchcock with his cast and crew took over the entire city for four weeks, converted it into a complete motion-picture studio. Instead of building a studio version of a typical American city, his main setting, he searched for a ready-made one. Instead of elaborate sets he used the real thing. Accustomed to spending more than $100,000 on sets alone for one picture, Hitchcock made Shadow Of A Doubt by reverting to the "location shooting" of early movie days. LIFE magazine ran an extensive feature on the film's production in their January 1943 edition:Īs a director of one of the first movies to be produced under the Government restriction placing a $5,000 ceiling on new materials used for sets, has shown he has more than one trick up his sleeve. Writer Thornton Wilder accompanied Hitchcock on a trip to the town in June 1942 so that they could incorporate local landmarks and buildings into the screenplay. Shadow of a Doubt was mostly filmed on location in Santa Rosa, California, during August 1942.
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